Know what you A closeup of the hog and happy hunter help illustrate the successful hunt very well. Don’t just turn the camera on and let it run all day. TIP 5: Editing is the most time consuming part of final production. Different perspectives can be edited in production and give the viewer a better experience. If you have more than one camera, all-the-better. You also do not want your video to all be from the same angle. It is hard to hold a rod or gun and a camera all at the same time. This is especially important if self-filming. TIP 4: Make sure to have several ways to attach your camera(s). If considering a drone, keep in mind there are strict restrictions on where they can legally be used. Combining video from several different sources can make for a better production. TIP 3: Before investing, you may want to rent a drone or GoPro to see if it is something you want to buy. Filming from a kayak or deer stand produces many more challenges that have to be met. Outdoor activities aren’t scripted and you need to prepare and be able to quickly adapt for when that special moment comes. Before going on an actual trip, photograph the kids and dog in the yard. TIP 2: Practice with your equipment to get familiar with all functions. Are you documenting this for personal memories or the general public? Keep your audience in mind and give them something they want to see. TIP 1: Don’t set out to be Steven Spielberg. Strive to be creative and look at, and document things from unique perspectives and angles.” This great photo of a lab in the blind almost makes the viewer feel like they can see the ducks up in the sky that the dog is looking at. Knowing what makes it ‘pleasing to the eye’ greatly improves the quality of your work, no matter if you are using a cell phone, action cam, drone, consumer or professional camera. We have a psychological reaction to seeing an image. This may all seem pretty technical, but are all simple concepts to understand. Basic photography and videography lessons teach terms like headroom, rule of thirds, leading lines, negative space, diagonals, depth of field patterns and symmetry. His answer and advice is, “Become familiar with the basics of image composition. LeCoq regularly gets compliments on his work and they usually go something like this: “Your images are always awesome, that camera is so good.” Other specific video equipment is constantly getting better, easier and less expensive.” GoPro’s and smartphones fill the need for most. Gone are the days of needing a $5,000.00 camera to get stunning content. “Virtually everyone carries a smartphone so they always have a great tool to get high-resolution photos and videos right in their pocket. “It is a lot easier these days,” he said. The Louisiana Sportsman recently picked his brain to get tips for hunters and fisherman that want to take and produce high quality photos and videos to preserve and share their adventures in the outdoors. He is regularly recognized by his peers from within the industry - even those not in tune with hunting and fishing. LeCoq has won numerous awards in broadcast media and even received a Suncoast Regional Emmy Nomination. He’s also a regular in LSU sports productions. He’s shot and produced several Louisiana hunting and fishing shows for many years. The decorative patterns fit perfectly within the gerneral process of westernisation of the Ottoman Empire, a phenomenon that has been studied thoroughly with regard to architecture and painting, but less so in the realm of the luxury arts, including silver.While most of his work is videography and production, his still images are equally amazing. Thus, this particular assembly offers fascinating evidence for the diverse artistic and cultural milieu of Istanbul in the Late Ottoman period. Whether liturgical or secular, the iconographic composition of these objects emerges from a rich ornamental context of floral, vegetal and animal motifs drawn from contemporary artistic trends in Western Europe.Īs a whole, the decoration of the ensemble serves to illustrate the role of Istanbul within a network of spiritual, cultural and artistic links that extended throughout western and central Europe, and the Balkans and Russia. The majority of the objects in the Collection is ecclesiastical silver intended for liturgical use, but there is also a small distictive group decorated with secular themes inspired from Antique mythology.
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